
This book contains a collection of short stories/essays written by George Orwell.
David LaChapelle is a photographer and director most noteworthy for his photography pieces including celebrities.
His style is unique and surreal, with most of his pieces notoriously provocative in appearance. Despite this his photography is world-renowned and he is highly regarded in fashion photography.
Recently LaChapelle was reported to have been inspired by artists of the past including Baroque. His piece Deluge (below) certainly has qualities of paintings from this time period.
You can find an interview with LaChapelle discussing his inspirations here.
Looking at LaChapelle from a critical point of view it may be said that his pieces play on the ‘sex sales’ claim and celebrity culture. I would agree with this comment, however it must be noted that LaChapelle pioneered this style of photography and it is still effective.
LaChapelle pushes boundaries and is an inspirational artist, more of his work can be found on his website here.
The novel (which was written by Irvine Walsh) follows the life of heroin addicts in Edinburgh. The issues experienced by the characters in the book are both gripping and shocking.
The book gives an insight into a world that is not often seen by everyday people and provides accounts on a personal level. Looking at the book critically it may be difficult to grasp an essence of the 90’s Scottish drug sub-culture, but this book does conjure up negative images. The novel may have caused controversy, but I think it is important to discuss and acknowledge current and past sub-cultures and issues that we are usually do not think of on a daily basis.
I recently visited the city of Edinburgh. During this visit I took an excursion to the Scottish Parliament building. I was interested in the design of the building, because it was so different from the norm. It is also famous for its ‘eco-friendly’ sustainable architectural approach.
When the building opened first, it received a mixture of responses about the design. The building is probably the most abstract design of a parliament building in the world, with inspiration being taken from many sources including historic paintings.
When I viewed this building it made me think back to my previous post about the Brutalist movement (click here to view) and questioning what is right and wrong in design. Good design evokes a response, and this building certainly does that. Critically another view may-be that good design is democratic, a possible topic to debate.
The current exhibition displays anatomical wax works from the 19th century, which were of great interest to people at the time, and a necessary part of medicine.
Although some of the exhibition was somewhat gruesome (even for today’s standards), it was informative about how science and design were combined to educate.
Designing For Climate is an Australian website that aims to tackle climate change in Australia by encouraging intelligent design.
In comparison to other ethical websites, the site is quite unique. Its use of interactive visuals and crisp images make the design appealing and easy to use. Conceptually it is strong and consistent with imagery relating to architectural design.
You can view the site by clicking here.
This message instantly resonates in the mind of the person reminding them of why they brush their teeth. It reminds us that in design it is always the simple messages that are the most effective.
This particular campaign was conducted by the creative agency Y&R in Thailand.
‘The Hours’ is a film that follows the life of three women. Each character is connected by the novel ‘Mrs Dalloway’ by Virginia Woolf (who is featured as one of the characters).
The film is set over three-time periods (the 19th, 20th and 21st centuries), as a result I thought the film would provide a good insight into understanding whether past issues, trends and culture still apply now.
Suppression, mental health and suicide are just a few of the dark issues covered by the film. It becomes evident that all are concerning issues in current society, but were also throughout history. Most problems caused by social expectations, especially amongst women.
As a man it is difficult for me to understand the suppression felt by women, however I feel this film gives a great insight into the struggle felt by women throughout the past few centuries.
This particular campaign by Yellow Pages in Canada caught my eye. It was conducted by the agency Cossette Media and was very successful for Yellow Pages; with website hits up 18% and retailers contacting Yellow Pages requesting darts.
It is not the first time ambient media has been used, however I found it fascinating how they effectively merged a concept of pinpointing something on the internet and visually represented it in a non-virtual way.
Futurism has been an art movement that I have always taken great interest in and that’s why I took the opportunity to visit the recent Tate Modern exhibition. Futurism shaped twentieth century art and contemporary art in general. Futurism was all about progression into the future and rejection of the past, however towards the end of the movement it unfortunately became coupled with fascism and war.
Before the unfortunate demise of the movement the surface appearance seemed to relate to cubism, but this was probably more coincidence than similar intentions, because the manifestos for each movement were different.
As can be seen in the work of Umberto Boccioni, futurism celebrated the movement of machinery and people, it seemed to capture and rejoice each frame. For a time when photography was not prevalent, a great job was done of imagining frames and the fluidity of movement.
I have taken inspiration from the initial futurist movement in its way of making observations of objects and presenting it in a conceptualised way. Although this is an old movement it is important to note its successes and indeed its downfall.
A substantial part of Yulia’s work is made and finessed physically using paper and material which is later combined with digital (although not all).
This is a design which was conducted for the Guardian magazine 'G2':